Diana Anastasia Inmaculada
“Boobs #2”, 2019
Giclée print with hand-applied diamond dust
50cm x 70cm
About the artist
Diana is a multi-disciplinary artist based in London. Raised in the Spanish island of Ibiza to a family of French and Italian descent, Diana showed an interest in art and music from an early age. A solitary child, she liked to spend her weekends watching Woody Allen films and crafting art objects with any available material.
In the playground she choreographed the other kids to The Beatles albums, and at age 13 she was finally admitted to be mentored by vocal coach Dobrat Levi, after many years of rejection for “being too young”. Her following mentor a few years after would be the well-known Jose Mañon, who introduced her to live performing aswell as voice-over advertising work.
Around this same time, she was signed by Carmen Duran Models and had stints in TV commercials including a national featuring role as a singer playing herself, and features in El Pais newspaper in Madrid.
After a music development deal with Universal Music in Germany that lasted a year, she moved to London to pursue music in 2008, and had several bands, the most notable Barbarella and the Angels, that were booked everywhere from Soho Radio, Google, Momo’s, Sketch, to Sexy Fish.
She has been assistant director to T. Kryger (A Band Apart) in London, Hamburg and Berlin, recorded with Peter de Havilland (Oasis), Chris Kimsey (The Rolling Stones, INXS) and has ongoing collaborations with fashion designers like Hollywood’s own Nina Morgan Jones (Diana Ross, Aerosmith).
She produced two EPs with producer Chris Clarke in Chicago and corresponding films in November 2025, and is currently working on the music videos.
She also produces bespoke jewellery objects, focused on the mental and physical benefits of natural materials, mainly platinum and diamonds.
She views herself as a Director, and uses her body and her inner world as a subject and launch pad. Her manifesto is to fight for one’s freedom of values.
About the works
Through my artwork, largely a critique, I build on the dichotomy between innocence and provocation.
Boobs #2 is a critique of nudism used as a weapon. Here, nudism is an ode to the natural world, and she explores The Original Sin, innocence and provocation. as well as a parody to the shock value in something so simple.
Her style is cinematic, of nostalgia, optimistic romanticism and implied horror.
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